WRITING


“Introduction: Improvising at the Nexus of Discursive and Material Bodies.” Co-authored with Gillian Siddall. Negotiated Moments: Improvisation, Sound and Subjectivity. Ed. Gillian Siddall and Ellen Waterman. Duke University Press, 2016.

“Improvisation and the Audibility of Difference: Safa, Canadian Multiculturalism, and the Politics of Recognition.” Negotiated Moments: Improvisation, Sound and Subjectivity. Ed. Gillian Siddall and Ellen Waterman. Duke University Press, 2016.

The Ecology of Musical Performance: Towards a Robust Methodology.”  Co-authored with Alice Boyle.  Current Directions in Ecomusicology. Ed. Aaron Allen and Kevin Dawe. Routledge, 2015.

“Trust and Risk in Improvisation: Opening Statements.” Improvisation Studies Reader: Spontaneous Acts. Ed. Rebecca Caines and Ajay Heble. New York and London: Routledge, 2014. 59-62.

“Listening Trust: The Everyday Politics of George Lewis’s “Dream Team”.” Co-authored with Julie Dawn Smith. People Get Ready: The Future of Jazz is Now! Ed. Ajay Heble and Rob Wallace. Duke University Press, 2013. 59-87.

“Send and Receive: Technology, Embodiment and the Social in Sound Art” for The Art of Immersive Soundscapes.  Anthology and DVD.  Ed. Pauline Minevich and Ellen Waterman. University of Regina Press, 2013. 111-127.

“Say Who You Are Play Who You Are: Improvisation, Pedagogy, and Youth on the Margins.” Action, Criticism & Theory for Music Education, Special Issue: Music Education in Urban Contexts. Co-authored with Ajay Heble, Ashlee Consolo Willox, Rob Jackson, Melissa Walker. 10.1(2011): 114-131. http://act.maydaygroup.org/articles/Willox-Heble10_1.pdf

“Naked Intimacy: Eroticism, Improvisation, and Gender.”  Critical Studies in Improvisation/Etudes critique en improvisation Vol 4.2, 2008. http://www.criticalimprov.com/article/view/845

“Radio Bodies: Discourse, Performance, Resonance” for Radio Territories. Ed. Brandon LaBelle and Erik Granly Jensen. Errant Bodies Press, 2007. 118-153. http://www.errantbodies.org/radio_territories.html

“Purposeful Play: Women Radiomakers in Community-Based Campus Radio in Canada.” Atlantis: A Women’s Studies Journal 30.2(2006): 76-87. http://journals.msvu.ca/index.php/atlantis/article/view/781

“When it Rains: Experimental Music and The Cultural Ecology.”  Essay on Gordon Monahan’s Aqueolian Harp installation of Sept 2007, commissioned by The Western Front and published in their Echoic Chamber archive, 2008. http://front.bc.ca/events/when-it-rains-experimental-music-and-the-cultural-ecology/

“I dreamed of other worlds” an Interview with Nicole Mitchell. Critical Studies in Improvisation/Etudes critique en improvisation Vol 4.1, 2008. http://www.criticalimprov.com/article/view/510/957

“Barnyard Drama’s chansons de métissage.” Musicworks 99(2007): 25-31.

“Lori Freedman: Clarinettist Immersed in Sound.” Interview.  Musicworks 94(2006): 18-23.